Fair warning: a lot of this music will appeal to a more twisted palate than last week's. Definitely not for everyone.
Again, YouTube links are in extra-large format. If you prefer standard format, play the clip and then click on the moving image once it starts.
Daedelus (photo to the left) -- He's in the same general vein as people like Mouse on Mars (see below) and Amon Tobin, but with samples from a quaint, bygone era. You can hear his more old-timey side on his first two albums, Invention and Of Snowdonia. The song that's stayed with me the most is the startling "Something Bells," which doesn't sound like any other music I've ever heard by anyone (included Daedelus himself). You can listen to it by going here and clicking the PLAY button in the middle of the window:
More recently, he's deemphasized the old-fashioned stuff and has gotten heavily into tropical beats, but he's still just as bizarre:
[last.fm](As with everything on last.fm, you're limited to three listens of the full song before you'll be prompted to buy it.)
More recently, he's deemphasized the old-fashioned stuff and has gotten heavily into tropical beats, but he's still just as bizarre:
[youtube]And yeah, I know I billed this as all "instrumental" and both of the songs so far have had singing. But you know what I mean, right?
Uri Caine -- A____ and I saw his "Uri Caine Trio" play a mesmerizing double set at the Village Vanguard a couple summers ago. In a tangentially related vein, his "Uri Caine Ensemble" recently came out with an album of jazz performances based on various Mozart movements. It's much better than you'd think a jazz-Mozart album would be. You can hear a sample by going here and clicking on the blue album ("2006"):
[website]The guy is staggeringly inventive. He goes back and forth between jagged, dissonant jazz (the stuff we heard him play live) to jazz-infused reworkings of classical music, with a new concept for each new CD. In addition to the Mozart album, he's put out a CD of his bizarre take on the single most bizarre Beethoven composition, the Diabelli Variations (if you're particularly interested in it, you can hear a brief sample by going to the above link and clicking on the "2002" album). There's also a CD of Klezmer versions of Mahler, the common thread being Jewishness. I haven't heard his Klezmer Mahler, but I have his Diabelli Variations, and they're addictive.
Mouse on Mars -- Interesting electronic group. I've had their most recent album, Varcharz, for a while, and that's supposed to be some of their most challenging stuff. It's difficult listening, but I like it. More recently, I've been listening to an early album of theirs, Autoditacker. It's very different, much more accessible -- and some of the best instrumental electronic music I've heard in a while. Here's a representative song from Autoditacker:
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The Bad Plus (photo to the right) -- I got into them after seeing the pianist, Ethan Iverson (the guy in the light-colored suit), play with Charlie Haden at the Village Vanguard. (I blogged about the show here in light of the Burma cyclone.) They're exactly my kind of jazz: innovative and new without being contrived, and not focused on virtuosity or trading solos. Their myspace has some good samples from their recent album Prog:[myspace]
[youtube]
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